巴哈:布蘭登堡協奏曲第1,2,3號 重建改編版 音樂派對合奏團 la festa musicale / BACH reconstructed
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巴哈: 布蘭登堡協奏曲第1,2,3號 重建改編版 音樂派對合奏團 克里斯多佛.哈爾 改編 BACH reconstructed "Neubrandenburg Concertos" based on Bach's originals Tracking down the miracle of Bach's music: masterworks such as the Brandenburg Concertos have awakened the ensemble's spirit of discovery. In order to better understand their inner architecture and genius, ensemble member Christoph Harer, in collaboration with his colleagues, has created baroque transcriptions from Bach's originals, producing three "Neubrandenburg Concertos". A harpsichord concerto becomes music for three competing string trios; solo and chamber music is transformed into colourful concerto movements for different instrumentations. And a simple vanitas song is transformed into a dreamy string aria. Performing these works, la festa musicale reaches top form: solo parts are distributed across the entire orchestra, and the concertos are carried by the virtuosity and imagination of many. The creative play with originals opens up new and unexpected perspectives on Bach's great music. JOHANN SEBASTIAN BACH (1685-1750) Arr. Christoph Harer (*1980) eubrandenburgisches Konzert Nr. 1 26:20 1 I. Vivace 6:34 Vorlage: Weihnachtsoratorium BWV 248, 5. Kantate, Eingangschor 2 II. Aria 2:18 Aria variata alla maniera italiana fur Cembalo BWV 989 (Vorlage fur Aria und Variationen trk 7-10) 3 Variation 1 1:37 4 Variation 2 1:21 5 Variation 3. Piu allegro 1:05 6 Variation 4 2:30 7 Variation 5 1:28 8 Variation 6 1:05 9 Variation 7 1:04 10 Variation 8. Tempo primo 2:30 11 III. Adagio ad libitum 0:23 12 IV. Presto 4:25 Neubrandenburgisches Konzert Nr. 2 17:27 13 I. Allegro 6:11 14 II. Adagio 6:41 15 III. Allegro 4:35 Neubrandenburgisches Konzert Nr. 3 20:56 16 I. Allegro 5:21 Vorlage: Sonate fur Viola da Gamba und Cembalo BWV 1029/1 17 II. Adagio ma non tanto e dolce 6:28 Vorlage: Tripelkonzert BWV 1044/2 bzw. Orgel-Triosonate BWV 527/2 18 III. Gavotte I – Gavotte II 3:23 Vorlage: Englische Suite fur Cembalo BWV 808/5 19 IV. Aria 2:56 Vorlage: "Gedenke doch, mein Geist, zurucke" fur Sopran und Basso Continuo BWV 509 aus dem Notenbuchlein fur Anna Magdalena Bach 20 V. Allegro 2:48 Vorlage: Ouverture nach franzosischer Art fur Cembalo BWV 831/8 |
