巴哈: 夏康舞曲/義大利協奏曲 濱田綾 大鍵琴 Aya Hamada / Bach: Clavier-Ubung II, Chaconne
EVCD074
NT$590
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| 巴哈:夏康舞曲/義大利協奏曲/法國序曲/觸技曲
濱田綾 大鍵琴 Transcriptions were an important part of Johann Sebastian Bach's oeuvre. For a composer who never took formal composition lessons, they were pathways to knowledge that allowed him to assimilate different styles and expand his musical horizons. In this recording the American-Japanese harpsichordist Aya Hamada explores the role of the transcription in Bach's work, bringing together the Italian Concerto BWV 971 and the French Overture BWV 831. Although they were composed for a keyboard instrument, these pieces are characteristic of the "imaginary orchestral transcriptions" that were pr 1 Toccata in D major, BWV 912 11:33 2 Italian Concerto in F major, BWV 971 Allegro 04:06 3 Italian Concerto in F major, BWV 971 Andante 04:50 4 Italian Concerto in F major, BWV 971 Presto 03:59 5 Overture in the French Style in B minor, BWV 831 Ouverture 08:03 6 Overture in the French Style in B minor, BWV 831 Courante 02:22 7 Overture in the French Style in B minor, BWV 831 Gavottes I/II 02:57 8 Overture in the French Style in B minor, BWV 831 Passepieds I/II 02:40 9 Overture in the French Style in B minor, BWV 831 Sarabande 04:02 10 Overture in the French Style in B minor, BWV 831 Bourrees I/II 02:40 11 Overture in the French Style in B minor, BWV 831 Gigue 02:49 12 Overture in the French Style in B minor, BWV 831 Echo 03:23 13 Violin Partita no.2 in D minor, BWV 1004 (transcription by Skip Sempe) Ciaccona 12:25 |
