拉威爾/聖桑: 鋼琴三重奏 西特柯維茲基三重奏 Sitkovetsky Trio / Ravel & Saint-Saens : Piano Trios
SACD2219
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| 拉威爾:a小調鋼琴三重奏/聖桑:e小調第二號鋼琴三重奏
西特柯維茲基三重奏 In 1892, when Camille Saint-Saens started on his Piano Trio No. 2, almost 30 years had passed since his first, widely celebrated work in the genre, his Op. 18. In the meantime the composer had come to be regarded as hopelessly old-fashioned by many of his colleagues. In writing the trio, Saint-Saens remained true to his principles as a composer, striving for balance and clarity and avoiding the chromaticism that had become so pr Some 20 years later, shortly before the outbreak of World War I, Maurice Ravel set about composing his own piano trio, in spite of his conviction that the percussive sound of the piano and the sustained singing of the string instruments were fundamentally incompatible. According to Ravel, only Saint-Saens – who he admired greatly – had managed to solve this problem. If Saint-Saens was an inspiration to Ravel when composing his Piano Trio in A minor, there were also other influences: the work was written during a stay in the Basque country where Ravel was born and the theme that opens the first movement displays what he himself called 'a Basque colour', employing the characteristic rhythms of the zortziko. The two works are here performed by the Sitkovetsky Trio, who have previously won great acclaim for their recordings of Mendelssohn, Beethoven and Dvorak. Maurice Ravel (1875—1937) Piano Trio in A minor (1914) 26'31 1 ) I. Modere 9'25 2 ) II. Pantoum. Assez vif 4'22 3 ) III. Passacaille. Tres large — attacca — 7'27 4 ) IV. Final. Anime 5'06 Camille Saint-Saens (1835—1921) Piano Trio No. 2 in E minor, Op. 92 33'40 5 ) I. Allegro non troppo 10'48 6 ) II. Allegretto 6'04 7 ) III. Andante con moto 4'10 8 ) IV. Grazioso, poco allegro 4'38 9 ) V. Allegro 7'44 TT: 60'58 Sitkovetsky Trio Alexander Sitkovetsky violin Isang Enders cello Wu Qian piano |
