Mirage 幻景 / Marc André 馬克．安德烈〈大提琴〉

敏感而富有才華的馬克．安德烈是少數選擇將低音提琴作為獨奏樂器的古典音樂家之一，將這件通常位於管弦樂團後排的樂器帶到舞台中央。在這張首張專輯中，他演奏的是一把經過改裝的低音提琴，其音色更接近大提琴。

在曲目安排上，馬克．安德烈選擇了一套跨越時代與風格的多元節目。從葛路克到皮亞佐拉的著名旋律，中間還包括柴可夫斯基的作品，這些改編為鋼琴與低音提琴的曲目充分展現了這件樂器豐富而寬廣的表現力。此外，其中兩首作品還由吉他演奏家 Gabriel Bianco 參與合作演出。

曲目

1. Dvořák: Gypsy Melodies, Op. 55, B. 104: No. 4, Songs My Mother Taught Me (Arr. Kreisler for Double Bass and Piano)
2. Piazzólla: Histoire du tango: III. Nightclub 1960 (Perf. by Double Bass and Guitar)
3. Debussy: Beau soir, CD. 84, L. 6 (Perf. by Double Bass and Piano)
4. Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Melody. Dance of the Blessed Spirits (Arr. Kreisler for Double Bass and Piano)
5. Franck, C: Andantino quietoso, Op. 6, FWV 5 (Perf. By Double Bass and Piano)
6. Morricone, E: Cinema Paradiso: Main Theme (Perf. by Double Bass and Piano)
7. Villa-Lobos: Melodía sentimental, W556 (Perf. by Double Bass and Piano)
8. Debussy: Suite bergamasque, CD. 82, L. 75: III. Clair de lune (Arr. Roelens for Double Bass and Piano)
9. Schumann: Kinderszenen, Op. 15: No. 7, Träumerei (Perf. by Double Bass and Piano)
10. Umebayashi: In the Mood for Love: Yumeji's Theme (Perf. by Double Bass and Piano)
11. Remo Giazotto, Tomaso Albinoni: Adagio in G Minor (Perf. by Double Bass and Piano)
12. Tchaikovsky: 6 Pieces, Op. 51: No. 6, Valse sentimentale (Perf. by Double Bass and Piano)
13. Vladimir Soltan: Elegy (Perf. by Double Bass and Piano)
14. Løvland: Song from a Secret Garden (Arr. Astanova for Double Bass and Piano)
15. Falla: La vida breve: Danza española No. 1 (Arr. André & Bianco for Double Bass and Guitar)