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精采對決 - 巴采維琪, 佩雅切薇琪…等 20世紀初四位女作曲家小提琴奏鳴曲與小品集 拉菲葉.莫羅 小提琴 希莉雅.奧內托.班賽 鋼琴 Raphaelle Moreau and Celia Oneto Bensaid take a tour of Europe through four female composers who were celebrated during their lifetime but have since fallen into guilty oblivion. Four different languages, three sonatas at the turn of the 1920s, two miniatures from the immediate post-war period: a rich sound photograph that finally gives voice to the genius of four singular destinies, the Frenchwoman Marguerite Canal, the Croatian Dora Pejacevic, the Dutchwoman Henriette Bosmans and the Polish Grazyna Bacewicz. Henriette Bosmans (1895-1952), Amsterdam Sonate pour violon et piano (1918) 1 - Allegro passionato, ma non troppo mosso 10''44 2 - Non troppo presto 1''59 3 - Adagio 2''58 4 - Moderato assai 3''33 Grazyna Bacewicz (1909-1969), Lodz 5 - Kaprys n°3 pour violon et piano (1946) 1''41 Dora Pejacevic (1885-1923), Budapest ? Sonate slave ? pour violon et piano opus 43 (1917) 6 - Allegro con anima 5''34 7 - Adagio 5''25 8 - Allegro molto vivace 4''50 Grazyna Bacewicz (1909-1969), Lodz 9 - Oberek n°1 (1949) 1''37 Marguerite Canal (1890-1978), Toulouse Sonate pour violon et piano (1922) 10 - Andantino 5''06 11 - Sourd et haletant 5''34 12 - Adagio espressivo 5''42 13 - Allegro con bravura 4''18 |