蒙波/阿爾貝尼茲/弗朗西斯科.泰雷加/多明尼科尼-神秘 吉他作品集克利斯多夫.麥辛格 吉他 Meisinger / Mystique (Chandos)
CHAN20278
NT$530
商品編號:
供貨狀況:
尚有庫存
加入最愛
此商品 「 最高 」可以折抵紅利
0
點
(約等於 NT$0 )
商品介紹
 |
| 蒙波/阿爾貝尼茲/弗朗西斯科.泰雷加/卡洛.多明尼科尼 - 神秘 吉他作品集
克利斯多夫.麥辛格 吉他 Before a phrase from the Gran vals by Francisco Tarrega unexpectedly shot to international fame as the Nokia ringtone, his most celebrated pieces included the Capricho arabe, composed in 1892. The piece is inspired by the mixture of Muslim Castilian and Christian cultures which had always been a feature of the Valencia region where Tarrega grew up. Tarrega's friend and near-contemporary Isaac Albeniz was a virtuoso pianist who also played the guitar. Even though he evoked the guitar brilliantly on the piano, he never composed any music for the instrument. 'Malaguena' was first published in the collection Espana. Published in 1892 as 'Prelude', the piece widely known as 'Asturias' is also imbued with the spirit of southern Spain. Federico Mompou's Suite compostelana was commissioned by Andres Segovia and was published in 1964, the same year as Segovia's first recording of the piece. The Italian guitarist and composer Carlo Domeniconi has drawn on several national traditions for his works, but has a particular interest in Turkish music which he has studied in depth. The Variationen uber ein anatolisches Volkslied (Variations on an Anatolian Folksong) were composed in 1982 and are based on the song (turku) 'Uzun ince bir yoldayim'. Koyunbaba is a four-movement suite for guitar which started as an improvisation, and was then notated soon afterwards. The composer describes the score as 'no more than a sketch' and insists that players improvise in their performance – which Krzysztof Meisinger does to great effect with his additional 'Invocazione' at the start of the work. FRANCISCO TARREGA 1. Capricho arabe 6:48 (Arabian Capriccio) Serenata para guitarra (Serenade for Guitar) Al eminente maestro D. Tomas Breton Andantino ISAAC ALBENIZ 2. Malaguena, Op.165 No.3 5:36 from Espana: Seif Hojas de Album (Spain: Six Album Leaves) for Piano A mon cher ami Louis E. Pujol Arranged for Guitar by Andres Segovia Allegro ma non troppo - Cantando largamente ma dolce - Tempo I - [Coda.] Lento - Quasi Andante 3. Prelude, Op.232 No.1 7:40 (''''Asturias'''') from Chants d''''Espagne (Songs of Spain) for Piano A mon cher ami Louis E. Pujol Arranged for Guitar by Andres Segovia Allegro ma non troppo - Cantando largamente ma dolce - FEDERICO MOMPOU Suite compostelana 20:31 (Compostelan Suite) for Guitar Revised, with fingering, by Andres Segovia A Andres Segovia 4. I Preludio. Dotted crotchet = 63 - Meno mosso e espressivo - 4:02 A tempo - Molto espressivo - A tempo - Molto espressivo - A tempo 5. II Coral. Lento - 3:24 6. III Cuna. Crotchet = 63 - Piu lento e molto cantabile - Tempo I 3:03 7. IV Recitativo. Lento molto espressivo e cantabile - Meno lento - 4:20 A tempo - Meno lento 8. V Cancion. (Crotchet = 76) 2:29 9. VI Muneira. Allegro con moto - Lento 2:51 CARLO DOMENICONI Variationen uber ein anatolisches Volkslied, Op.15 11:05 (Variations on an Anatolian Folksong) for Guitar 10. Thema. Crotchet = 100 - 0:57 11. Variation I. Crotchet = 112 - 0:47 12. Variation II. Crotchet = 100 - 1:12 13. Variation III. Dotted quaver = 72 - 92 - 0:59 14. Variation IV. Crotchet = 80 - 1:36 15. Variation V. Crotchet = 100 (Diese Variation soll den Gang 0:50 der Kamele darstellen.) - 16. Finale. Crotchet = 120 - Poco piu lento - Tempo I 4:43 Koyunbaba, Op.19 20:28 Suite for Guitar Realised by Krzysztof Meisinger 17. Invocazione (improvised Meisinger) - 4:12 18. I Moderato - 3:03 19. II Mosso -1:54 20. III Cantabile - 6:27 21. IV Presto 3:07 22. Moderato (Tempo I) - Presto 1:43 Total time: 71:43 |
