舒伯特/荀白克: 鋼琴奏鳴曲與小品 坎.卡默 鋼琴 Three years after recording Franz Schubert's Schwanengesang (arranged by Liszt), pianist Can Cakmur launches a new series called Schubert+. Describing the Viennese composer as "a con-stant companion" in his life, Cakmur's aim here is to juxtapose his complete major piano solo compositions with works by other composers that were inspired by his music, thus providing the opportunity to see these works in a new light. While making up a near complete anthology of Schubert's completed major piano music, each disc is also intended as a self-sufficient recital. In this first instalment, two sonatas by Schubert, respectively D 537 and D 959, are juxtaposed with Arnold Schoenberg's Three Pieces op. 11. The reason for this combination is that, firstly, the same theme is shared but treated differently in Schubert's sonatas, and secondly, Schubert and Schoenberg seemingly sharing the same conception where the natural flow and direction of the music appear consciously deconstructed. With different means and a hundred years apart, both Schubert and Schoenberg, the former with his aversion to formal boundaries, the latter with his efforts against the natural tendencies of Western harmony, managed to strengthen the subjective expression of their music. Franz Schubert Piano Sonata in A minor, Op. 164, D 537 23''41 01 I. Allegro ma non troppo 11''52 02 II. Allegretto quasi andantino 7''05 03 III. Allegro vivace 4''44 Arnold Schoenberg (Schonberg) Drei Klavierstucke, Op.11 14''47 04 1. Massige Viertel 4''09 05 2. Massige Achtel 7''41 06 3. Bewegte Achtel 2''57 Franz Schubert Piano Sonata in A major, D 959 41''26 07 I. Allegro 16''20 08 II. Andantino 7''43 09 III. Scherzo 5''13 10 IV. Rondo 12''10 Album total 79''58 |