陰影 (19世紀末美好年代的女性作曲家) 格里瑪迪 女高音 L. Grimaldi / Ombres-Women Composers of La Belle Epoque
SACD2546
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| 陰影 (19世紀末美好年代的女性作曲家)
格里瑪荻 女高音 布謝維茨 鋼琴 Devised by Laetitia Grimaldi and Ammiel Bushakevitz, Ombres brings together songs by nine women composers whose lives span the years 1821–1964. Many of the songs were written during the so-called Belle Epoque, at a time when women might be accepted asperformers – especially in domestic settings – but struggled to be recognised as composers. And even in the cases when their music was heard – for instance in the fashionable salons of Paris – or published, it soon fell into oblivion. Several of the songs included here were discovered by Grimaldi and Bushakevitz in libraries and archives, having gone out of print long ago. With Ombres, the performers liberate the nine composers from their shadowy existence, and demonstrate the wide range of their music, from Cecile Chaminade's bustling Villanelle to Pauline Viardot's nocturnal Les etoiles or the ghostly Les lavandieres by Augusta Holmes, about the Midnight Washerwomen from Celtic mythology. Melanie (Mel) Bonis: Invocation; Eleve-toi mon ame; Songe; Un soir; Ave Maria Cecile Chaminade: Villanelle; L'anneau d'argent; Nice-la-belle Armande de Polignac: Chant d'amour; Jardin du roi; Ne me regarde pas Juliette Folville: Songe Pauline Viardot: Les ombres de minuit; Les deux roses; Hai luli; Les etoiles Marguerite Beclard d'Harcourt: Le reve de la vallee Helene-Frederique de Faye-Jozin: Printemps Gabrielle Ferrari: Chanson d'exil Augusta Holmes: C'est un oiseau du bois sauvage; Les lavandieres; A Trianon |
