法國歌曲與義大利宮廷佛羅托拉音樂
蘇菲.克魯斯曼 女高音
霍普金森.史密斯 魯特琴
The French and Italian Renaissance song repertoire, immortalised during the first three decades of the sixteenth century by the printed editions of Pierre Attaingnant in Paris
and Ottaviano Petrucci in Venice, invites audiences, and in former times performers, to immerse themselves in a world in which memories of medieval courtly poetry, the austerity (as reimagined in the fifteenth and sixteenth centuries) of ancient lamentations, and a fully polyphonic narrative style, were all collided and superimposed—a
certain sense of conversation can remind us also of the French air de cour as well as the early Italian madrigal form.
These chansons and frottole give rise to discrete, almost enigmatic emotions, where music and text unite as one, transparent and restrained.
anonymous
1 a mes ennuyz** 3’06
claude de sermisy ca. 1490–1562
2 jouissance vous donneray* 2’45
attr. to pierre moulu ca. 1484–ca. 1550
3 amy, souffres* 3’05
claude de sermisy
4 dont vient cela* 2’55
5 tant que vivrai* 2’00
joan ambrosio dalza after 1450–1508
6 recercar VI (instrumental) 2’10
anonymous
7 se mai per maraveglia 3’42
bartolomeo tromboncino ca. 1470–ca.1535
8 ostinato vo’ seguire 2’37
marchetto cara ca. 1465–ca. 1525
9 s’io sedo a l’ombra 1’55
joan ambrosio dalza
10 poi che volse la mia stella (instrumental) 1’59
marchetto cara
11 io non compro più speranza 2’20
claude de sermisy
12 il est jour** 3’25
13 puisqu’en amours** 2’32
anonymous
14 le jaulne et bleu* 2’35
15 le cueur est mien** 2’59
16 dolent depart* 2’25
17 de toy me plaintz** 2’49
filippo de lurano ca. 1475–after 1520
18 poiche speranza e morta 1’56
marchetto cara
19 per fuggir d’amor le punte 2’37
vincenzo capirola 1474–after 1548
20 che farala che dirala (instrumental) 1’41
based on a frottola attributed to Michele Pesenti (Vicentino) ca. 1470—1528
bartolomeo tromboncino
21 ala guerra 1’58
22 per dolor me bagno il viso 4’36
giovanni battista zesso
23 starala ben cussi? 0’56
bartolomeo tromboncino
24 dolermi sempre voglio 3'04"