專輯類型: 1SACD
發行年份: 2025
國際條碼: 7318599927510
音樂廠牌: BIS
布拉姆斯: 德意志安魂曲,作品45
鈴木雅明 指揮
日本巴哈合奏團
The Bach Collegium Japan's unique vision of Brahms's choral masterwork
Before conquering concert halls with his symphonies, Johannes Brahms made a name for himself as a choral conductor. He led vocal ensembles in his hometown of Hamburg, in Detmold and Vienna, enriching the repertoire with his own music. Composed between 1865 and 1868, Ein deutsches Requiem (A German Requiem) is his most extensive choral work and a milestone in his artistic development.
In this work, Brahms combined text passages from the Old and New Testaments in an unconventional way: the 'target' of the text and music is no longer the deceased, for whose salvation we pray, but the survivor, who is to be consoled. He thus turned away from ecclesiastical conventions and created a very atypical requiem which has nothing to do with the Catholic Church's often-set Latin requiem mass. Instead, it was conceived from the outset for the concert hall or church concerts. Musically the Requiem draws from earlier traditions in a highly personal way while remaining firmly in a Romantic choral idiom, at times embedded in lush orchestral textures.
After countless acclaimed recordings devoted to the religious music of Bach, Mozart and Beethoven, Masaaki Suzuki and the Bach Collegium Japan now present their unique vision of Brahms's masterpiece.
Johannes Brahms (1833—97)
Ein deutsches Requiem, Op. 45
to Words of the Holy Scriptures, for soloists, choir and orchestra
1 ) I. Selig sind, die da Leid tragen 9'54
2 ) II. Denn alles Fleisch, es ist wie Gras 14'21
3 ) III. Herr, lehre doch mich 8'58
4 ) IV. Wie lieblich sind Deine Wohnungen 5'21
5 ) V. Ihr habt nun Traurigkeit 6'03
6 ) VI. Denn wir haben hie keine bleibende Statt 10'31
7 ) VII. Selig sind die Toten 9'30
TT: 65'10
Miku Yasukawa soprano
Jochen Kupfer bass-baritone
Bach Collegium Japan choir and orchestra
Masaaki Suzuki conductor